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The 2023-24 Season
Dates, times, programs, and artists subject to change.

Which Way the Winds Blow

Mozart Divertimenti for wind sextet

September 27, 12:00 pm

Grace Church, White Plains

 

Kathy Halvorson and Noah Kay, oboes

Frank Morelli and Harry Searing, bassoons

Nancy Billman and Rheagan Osteen, horns

Together with works of Handel and Reicha, we present a selection of Mozart's delightful Divertimenti for winds, presumably composed at his father's insistence that the young composer explore the keys of F major, B-flat major, and E-flat major. Tough love! 

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THE RETURNS OF RACHEV AND RAN 

Sunday, October 15, 3:00 pm

Purchase Performing Arts Center

Danail Rachev, conducting

Ran Dank, piano

Walker: Lyric for Strings

Schumann: Piano Concerto

Rossini: La scala di seta

Mendelssohn: Symphony No. 4

 

After Danail Rachev (2015) and Ran Dank (2022) made their triumphant Philharmonic debuts, our inbox immediately overflowed with demands that we bring each of them back. Done and done. If you were there, you know why. If you weren’t, find out why! Our 41st season opens with a masterpiece by George Walker, the first African American to receive the Pulitzer Prize in Music.

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Norse by Norsewest(chester)

November 15, 12:00 pm

Grace Church, White Plains

D. Paul Woodiel, violin, hardingfele, nyckelharpa

Dana Lyn, violin, viola, piano

Sarah Carter, cello

The magical Norwegian Hardingfele and its Swedish cousin, the Nyckelharpa provide magical, silvery textures that suit not just their traditional repertoire, but also composed repertoire of the renaissance and baroque. 

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CLASH OF THE CELLOS

Sunday, December 17, 3:00 pm

Purchase Performing Arts Center

Eugene Moye, cello

Roberta Cooper, cello

Sarah Carter, cello 

Maureen Hynes, cello

Eliana Mendoza, cello 

Lanny Paykin, cello 

with Jeanne Ireland, soprano 

Villa-Lobos: Bachianas Brasilieras No. 5, plus works of the Beatles, Joni Mitchell, Saint-Saëns, Borodin, Satie, Sibelius, and much more.

Everyone loves the sound of the cello. But put six of them together and something other-worldly happens. The rich sound of the entire Philharmonic cello section gathers for great fun, a surprise or two, and that goosebump-raising, wordless melody of Villa-Lobos.

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Catch This Trout 

February 4, 2:00 pm  

Crawford Mansion, Rye Brook 

Deborah Wong, violin

William Hakim, viola

Maureen Hynes, cello

Jack Wenger, double bass 

Christopher Oldfather, piano

String Trio in G Major, Op. 9

Franz Schubert: Trout Quintet

Franz Schubert composed his “Trout” quintet at the age of 22, but it was never published until after his death. Perhaps considered too forward for its time, the work features textures and sonorities that awed the likes of Chopin and Schumann.

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Catch This Trout 

February 7, 12:00 pm  

Grace Church, White Plains 

Deborah Wong, violin

William Hakim, viola

Maureen Hynes, cello

Jack Wenger, double bass 

Christopher Oldfather, piano

String Trio in G Major, Op. 9

Franz Schubert: Trout Quintet

Franz Schubert composed his “Trout” quintet at the age of 22, but it was never published until after his death. Perhaps considered too forward for its time, the work features textures and sonorities that awed the likes of Chopin and Schumann.

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Licorice & Fiddles

The Great Clarinet Quintets of Mozart and Brahms

March 27, 12:00pm

Grace Church, White Plains

 

Robert Chausow and Robin Bushman, violins

Liuh-Wen Ting, viola

Hannah Holman, cello

Ben Baron, clarinet

The clarinet quintet format comprises a string quartet with clarinet soloist. Few composers have attempted to write for such an ensemble. Mozart and Brahms were undeterred, and the result is two of the greatest works in the clarinet repertoire.

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Licorice & Fiddles

The Great Clarinet Quintets of Mozart and Brahms

March 30, 2:00pm

Crawford Mansion, Rye Brook

 

Robert Chausow and Robin Bushman, violins

Liuh-Wen Ting, viola

Hannah Holman, cello

Ben Baron, clarinet

The clarinet quintet format comprises a string quartet with clarinet soloist. Few composers have attempted to write for such an ensemble. Mozart and Brahms were undeterred, and the result is two of the greatest works in the clarinet repertoire.

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OLD SCHOOL, FRESH VOICE

Sunday, April 7, 3:00 pm

Jaime Laredo, violin, conducting

Isabelle Durrenberger, violin

 

Bach: Concerto for Two Violins

Beethoven: Romance No. 1 and No. 2 for violin

Mozart: Symphony No. 29

 

Our good friend Jaime Laredo returns, with yet another prized former student, 25 year-old Isabelle Durrenberger, whose interpretive powers are at once fresh and provocative while true to the core intentions of these iconic, “old school” works for violin and orchestra.

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Dark & Stormy

String Quartets of Beethoven & Ravel

Sunday, April 21, 2:00pm

Crawford Mansion, Rye Brook 

 

Robert Chausow, violin

Martin Agee, violin

Ah-Ling Neu, viola

Eugene Moye, cello

Beethoven: String Quartet No. 4 in C Minor, Op. 18

Ravel: String Quartet

Beethoven rarely composed in the key of C Minor, except for two of his most celebrated works: His “Pathetique” piano sonata, and the Fifth Symphony. This quartet is similarly darkly expressive, fiery, and breathtaking. Ravel was inspired by Debussy to compose his lone string quartet, and defying his teacher’s wishes, let loose a cascade of brilliance and emotion.

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Dark & Stormy

String Quartets of Beethoven & Ravel

Wednesday, April 24, 12:00 pm

Grace Church, White Plains

Robert Chausow, violin

Martin Agee, violin

Ah-Ling Neu, viola

Eugene Moye, cello

Beethoven: String Quartet No. 4 in C Minor, Op. 18

Ravel: String Quartet

Beethoven rarely composed in the key of C Minor, except for two of his most celebrated works: His “Pathetique” piano sonata, and the Fifth Symphony. This quartet is similarly darkly expressive, fiery, and breathtaking. Ravel was inspired by Debussy to compose his lone string quartet, and defying his teacher’s wishes, let loose a cascade of brilliance and emotion.

 

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