Main Stage Concerts
Dates, times, programs, and artists subject to change.
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All tickets sold exclusively through the PAC box office. Order online using the links below. Or call the box office at 914-251-6200 to order by phone (additional fees apply for phone and in-person orders).
Using a wheelchair or rollator? No problem! Street-level entry directly into the hall makes things easy…no stairs or elevators.
Call the box office at 914-251-6200 to learn more.
THE RETURNS OF RACHEV AND RAN
Sunday, October 15, 3:00 pm
Purchase Performing Arts Center
Danail Rachev, conducting
Ran Dank, piano
Walker: Lyric for Strings
Schumann: Piano Concerto
Rossini: La scala di seta
Mendelssohn: Symphony No. 4
After Danail Rachev (2015) and Ran Dank (2022) made their triumphant Philharmonic debuts, our inbox immediately overflowed with demands that we bring each of them back. Done and done. If you were there, you know why. If you weren’t, find out why! Our 41st season opens with a masterpiece by George Walker, the first African American to receive the Pulitzer Prize in Music.
THE GREATEST CELLO CONCERTO
Sunday, December 17, 3:00 pm
Purchase Performing Arts Center
Kazem Abdullah, conducting
Joshua Roman, cello
Mozart: Overture to Cosi fan tutti
Saint-Saëns: Concerto for cello No. 1 in A minor
Beethoven: Symphony No. 4
That’s what Rachmaninoff and Shostakovich said about Saint-Saëns’ emotionally powerful work, and in the gifted hands of Joshua Roman, let the debate begin. By the time Kazem Abdullah ascends our podium for the 3rd time this December, he will be just a few weeks removed from leading the Met’s highly-anticipated production of Anthony Davis’ X: The Life and Times of Malcom X.
OLD SCHOOL, FRESH VOICE
Sunday, April 7, 3:00 pm
Jaime Laredo, violin, conducting
Isabelle Durrenberger, violin
Bach: Concerto for Two Violins
Beethoven: Romance No. 1 and No. 2 for violin
Mozart: Symphony No. 29
Our good friend conductor Jaime Laredo returns, with yet another prized former student, 25 year-old Isabelle Durrenberger, whose interpretive powers are at once fresh and provocative while true to the core intentions of these iconic, “old school” works for violin and orchestra.
